Tag Archives: Annual Holiday Poetry Reading

Annual Holiday Poetry Reading – Wednesday, December 11 2019

PDF: Browning Society December Newsletter 2019

The New York Browning Society, Inc. Newsletter
Founded in 1907
The National Arts Club
15 Gramercy Park South
New York NY 10003

Annual Holiday Poetry Reading
Wednesday, December 11 2019
Time 1:00– 2:00PM

by Laura Clarke

We hope that you will be able to join The Browning Society of New York and students from Clinton and Xavier High Schools for our annual poetry reading where members and guests will read poems by Robert and Elizabeth Barrett Browning.

Our annual poetry reading is an apt way to celebrate the holiday season since poetry held an important place in the Victorian celebration of Christmas. Illustrated poetry books were given as gifts at Christmas and were a focal point of domestic life. These beautifully designed books with ornamental gold and green covers became a popular commodity as a result of developments in
the nineteenth-century printing press. As wood engraved blocks could be printed on letterpress at the same time as text, printers were now able to produce thousands of pages of illustrations without any deterioration of the image. This quick and easy printing process fueled a massive
increase in illustrations in the nineteenth century and the illustrated Christmas book audience, who had more money to spend on luxury times, increased leisure time, and valued family and domesticity.

Illustrated Christmas poetry books fused high art with mass production to celebrate national
greatness in art and literature. We can see this combination in David Bogue’s Christmas with the Poets: A Collection of Songs, Carols, and Descriptive Verses, Relating to the Festival of Christmas, from the Anglo-Norman Period to the Present Time, which was published in 1850 and included fifty-three illustrations by Birket Foster. Along with Charles Dickens’ illustrated Christmas books, Bogue’s work sough to align the festival of Christmas with the values and
character of the British nation. That these books had national importance can be seen in the preface to Christmas with the Poets which states that, although not all the songs, carols, and descriptive pieces in the collection “merit the higher appellation of poem,” they “will be found to illustrate in some way or another an interesting by-gone custom, or to describe was one of the biggest markets. These books  were intended for a growing middle-class some feature worth preserving, connected with the Christmas celebrations of our ancestors.”

The poems in Bogue’s Christmas with the Poets are arranged chronologically and divided into six sections: poems from the Anglo-Norman period to the reformation; poems of the Elizabethan period; poems by Herrick about Christmas; Christmas songs and carols from the Civil wars, Commonwealth and Restoration; Christmas poems from the eighteenth century; and
Christmas poems from the nineteenth century. Selected poets from the nineteenth century include Southey, Wordsworth, Shelley, Coleridge, Hemans, Keble, and Tennyson, among others. The collection grandly closes with Tennyson’s poem “The Death of the Old Year.” While Christmas with the Poets celebrates poems and songs, it also provides explanations for historical Christmas traditions such as the decking of houses with holly and ivy and wassailing
the apple trees.

The sheer amount of ornate Christmas books that were published in the nineteenth century as well as the popularity of these books as gifts and revered objects in the home demonstrates the importance that Victorians placed on recording traditions and customs. The burgeoning Christmas book market also reveals the ways in which Christmas was reframed by the popular
printing press to define developing Victorian definitions of national identity.

We look forward to seeing you on December 11th for our annual holiday poetry!

Our Readers

KT Sullivan performs “Now” for the New York Browning Society’s Annual Holiday Reading at the National Arts Club 12/11/19

Stephen Downey reads Robert Browning’s “Two in the Campagna” @ The National Arts Club for The New York Browning Society’s Annual Holiday Reading 12/11/19

Hannah Jane Peterson spreading some holiday joy with an original song “Milk and Cookies” at The New York Browning Society at the National Arts Club! www.nybrowning.org
12/11/2019

Annual Holiday Poetry Reading – Wednesday, December 12, 2018

PDF: Browning Society December Newsletter 2018

The New York Browning Society, Inc. Newsletter
Founded in 1907
The National Arts Club
15 Gramercy Park South
New York NY 10003

Monthly Meeting, 1:00 PM
Wednesday, December 12, 2018
Annual Holiday Poetry Reading

by Laura Clarke

Every year in December, the New York Browning Society welcomes its members and visitors to share with each other a favorite quote from the poetry of Robert Browning or Elizabeth Barrett Browning. In the spirit of this festive celebration, I would like to place a central tenet of Browning’s philosophy in the context of the Victorian idea of Christmas.

Interestingly, before the early nineteenth century, Christmas was not a widely celebrated holiday in England. The biggest Winter holiday was the Feast of the Epiphany, or Twelfth Night, on January 6th, and Easter was the most important holiday on the Liturgical Calendar. Christmas was not a popular holiday because the Puritans had disapproved of a celebration that was aligned with a Pagan Winter festival; furthermore, since the Catholic worship of saints’ days was banned during the Reformation, the link between St. Nicholas and Christmas implicated this holiday in contested theological debates. In Germany, however, the sacredness of Christmas was still emphasized by the very instigator of the Protestant Reformation himself, Martin Luther.

In his 1530 Christmas Sermon, Luther emphasized the importance of honoring Christmas as a celebration of God’s divine love, agape, which is embodied in the birth of Jesus. Thus in Protestant Germany, St. Nicholas was replaced with the Christ Child, das Christkindl, whose gifts reflected the gift of love from God that is Christ. This emphasis on divine love and incarnation,
rather than on Easter and atonement, ushered in a new symbolic focus on children.

Friedrich Schleiermacher’s popular A Dialogue on the Celebration of Christmas (Die Weinachtsfeier: Ein Gesprach), published in 1806, and E.T.A Hoffman’s Nutcracker and Mouse King (Nussknacker und Mausekönig), published in 1816, reinvigorated Protestantism in the early nineteenth century and defined the holiday afresh as an inward experience centered in
the family. It is Schleiermacher’s conviction that Christmas makes everyone a child again; that is, it elicits a feeling that heightens our perception of the religious idea that is embodied in Jesus. Each speaker in Schleiermacher’s dialogue reveals the significance of Christmas to lie in an inward spiritual idea rather than in a celebration that is anchored in the literal and external
historical narrative of the Nativity, or even in a Church service. Thus for Schleiermacher the idea of God that is embodied in Christ can be apprehended through the love of a mother for her child, through spiritual feelings, or through music.

The German Romantic idea of Christmas, as a spiritual experience embodied in family, was introduced to England through Prince Albert, who studied with August Wilhelm Schlegel at the University of Bonn. In 1848 the Illustrated News published a drawing of Prince Albert and Queen Victoria celebrating Christmas with their children around an adorned Christmas tree, which served to solidify Christmas as a new sacred national celebration: the German Christmas
tree became a key component of this new holiday; German Christmas carols were translated into English by Catherine Winkworth, including Luther’s own Christmas songs, and became once again a focal point of English celebrations; and of course, Charles Dickens’ A Christmas Carol
would cement the new symbolic significance of Christmas in the Victorian imagination.

Christmas for the Victorians is a holiday of love, and Browning, we might say, is a poet of love. Browning’s idea of love is derived from Plato and from the Christian concept of love of which John speaks in his First Epistle—the concept that God is love and that to love is to know the divine. This for Schleiermacher was the essence of Christmas.

Browning was not a strictly orthodox religious thinker, believing along with Elizabeth Barrett Browning that the spiritual truths of religion are not known through theological doctrines but inwardly through feelings; likewise, they both believed that it was not possible to apprehend spiritual realities through the logic of the intellect but only through imagination and love. In
Christmas-Eve and Easter-Day, Browning’s speaker takes the reader on an imaginary journey on Christmas eve to a dissenting chapel in London, a Catholic church in Rome, and to a university lecture in Göttingen. The speaker criticizes aspects of all three religious positions, but, more
importantly, he apprehends the transcendent through the human expression of love—a
love and faith that is shared by all three celebrations on Christmas Eve.

We hope that you will be able to join us on December 12th for our holiday celebration.